本科论文目录摘要IAbstract.............+...引言1人文历史类纪录片主题选择与展现策略....31.2我国人文历史类纪录片创作现状一以《故宫100》为例.....42人文历史类纪录片主题叙事策略....2.1人文历史类纪录片叙事风格一以《故宫100》为例2.1.1尊重历史原貌创作......82.1.2以第三人称客观记叙.....2.2人文历史类纪录片的影像表达手段2.2.1《故宫100》中特写镜头的细节化表达..2.2.2《故宫100》中光线与慢镜头的运用...............3人文历史类纪录片主题创作中存在的问题....121232作品主体意识淡化..124人文历史类纪录片创作意识的转变4.1创作官方化到大众化.144.2平台单一化到多元化.15结16参考文献17致18本科论文摘要伴随着现阶段人民物质生活水平和民众文化素质水平的普遍性提高，国民在精神层面的追求日渐向更高水平和更高层次发展，民众对于人文历史类纪录片的追求不再满足于简单的历史故事，而是将视角更多的关注到历史事物所蕴藏的文化内涵方面。纪录片的受众们更多的希望可以通过屏幕来更深层次地了解被拍摄的历史文物或是历史事件。故此在纪录片的创作过程中，创作者必须在客观的展示历史事物的同时能够更深层次地挖掘出事物的意义与价值，并且借由创作出的作品将其完整的表达出来。在近年来，纪录片界出现了一些追求画面华丽精致而忽视主题表达深入，在作品中摒弃了对于历史事物、历史文化本质上的思考，直接性的导致了人文历史类纪录片内容主题思想表述过于浅显、过度空泛的不良现象。由此可知对于“人文历史类纪录片主题展现策略”的研究具有相当重要的科学理论意义与创作上的实践意义。对此方面的研究不单对于提升现阶段人文历史类纪录片创作水品有所裨益，同时能够满足观众对于纪录片更高水准、更高层次的审美需求，对人文历史类纪录片在当下阶段发展有具体的指导意义。故此本文主要围绕当代人文历史类纪录片主题展现的策略进行展开，用案例分析法等研究方法与相关理论基础为指导进行阐述。本文共分四部分，第一部分为以《故宫100》为例，对人文历史类纪录片主题的创作风格进行分析：第二部分为以《故宫100》为例，对我国人文历史类纪录片叙事风格及创作技巧进行分析；第三部分为浅谈我国现阶段人文历史类纪录片在主题创作及展现的过程中所存在的问题并进行分析：第四部分主要分析我国人文历史类纪录片创作意识及形态的转变。关键词：人文历史类纪录片；主题展现：影像叙事风格：影像艺术；创作趋势本科论文AbstractThe pursuit of the people in the spiritual level is gradually developing toa higher level and higher level.The people's pursuit of the humanities andhistory documentary is no longer satisfied with simple historical stories,butmore attention is paid to the cultural connotation of historical things.Theaudiences of documentary film hope that they can understand the historicalrelics or events in a deeper level through the screen.Therefore,in the processof documentary creation,the creator must be able to dig out the meaning andvalue of things in a deeper level while objectively displaying historical things,and express them completely by the works created.In recent years,there havebeen some humanities and history documentaries in the field of documentary,which excessively pursue gorgeous and exquisite pictures but neglect the deepexpression of themes.Even some creative teams record their works in order tocomplete them which directly leads to the over expression of themes andideas of Humanities and history documentaries The bad phenomenon ofsuperficiality and excessive emptiness.It can be seen that the research on"theme display strategy of Humanities and History Documentary"has quiteimportant scientific theoretical significance and practical significance increation.The research on this aspect is not only beneficial to enhance thecreation of water products in the current stage of the humanities and historydocumentary,but also can meet the audience's aesthetic needs for a higherlevel and History Documentary in the current stage.Therefore,this paper mainly focuses on the strategy of the theme displayof Contemporary Humanities and history documentary,using case analysisand other research methods and documentary aesthetics as the guidance.Thispaper is divided into four parts,the first part is to take the Forbidden City 100as an example to analyze the creative style of the theme of the humanities andhistory documentaries;the second part is to take the Forbidden City 100 as anexample to analyze the narrative style and creative skills of the humanitiesand history documentaries in China;the third part is to discuss the existenceof the humanities and history documentaries in the process of theme creationand display at the present stage in China The fourth part mainly analyzes the