本科论文目录摘要Abstract.…引言1考古类纪录片的属性与价值21.1纪录片家族中的“小部落”21.2题材内容的独特文化价值.…2考古类纪录片的影像呈现.…2.1影像记录手段的现实意义82.2影像呈现的多元化探索3考古类纪录片的规律与设想133.1考古类纪录片的规律性操作133.2考古类纪录片的新形式设想15结论18参考文献…致谢20本科论文摘要随着社会的变革，考古类纪录片从纪录片的小众层面逐渐走向大众层面。人们对于考古文化的观念重视和传播技术的发展，给考古类纪录片的传播和推广提供了很多便利。然而与之不协调的，是考古类纪录片内容形式固化，表达手法单一，很难带动大众的眼球。人们的观念思想与纪录片某些主题式的表达形式发生冲突，需要在创作的基础上进行改革创新才能推动考古类纪录片的发展。在这个不断磨合的过程中，导演们逐渐迎合社会发展，结合人们的观影体验、技术手段的理解剖析大胆尝试进行多元化手法的融合，改变了最初的考古影像没有声音和字幕，也没有主题感，更没有相应专业的后期编辑和宣传手段的做法，导演以新模式、新主题、新思想为出发点，在编排中将考古影像逐渐融入，搭配适当的主题、声音、色彩等多元素，考古类纪录片创作逐渐呈现出绚丽斑澜的风采。关键词：考古；纪录片；影像呈现；新形式设想本科论文AbstractWith the change of the society,the archaeological documentaries graduallymove from the minority level to the mass level.People attach importance to theconcept of archaeological culture and the development of communicationtechnology,which provides a lot of convenience for the dissemination andpromotion of archaeological documentaries.However,the uncoordinated,is thearchaeological type documentary content form solidification,the expression of asingle technique,it is difficult to bring the public's attention.There is a conflictbetween people's ideas and some thematic forms of expression in documentaries,so it is necessary to reform and innovate on the basis of creation to promote thedevelopment of archaeological documentaries.In this process of continuousrunning-in,the directors gradually cater to the social development,combiningpeople's movie-watching experience,understanding and analysis of technicalmeans,making a bold attempt to integrate diversified techniques,instead of theoriginal archaeological images having no sound,subtitling,no sense of theme,and no corresponding professional means of post-editing and publicity,thedirector takes new models,new themes and new ideas as the starting point,inthe arrangement of the archaeological image gradually into,with the appropriatetheme,sound,color and other elements,archaeological documentary creationgradually presents a gorgeous style.Key Words:Archaeology;Documentary;Image Presentation;New FormAssumption