本科论文目录摘要II引言41人文纪录片的平行叙事理念...1.1叙事视角选择的平民化.··792人文纪录片平行叙事的组织框架...102.1篇幅板块独立的并列式平行结构..102.2上下一气呵成的连接式平行结构...102.3同时不同事的剖面式平行结构.....11133.1平行剪辑与时空的统一性...133.2平行剪辑建构平行叙事144人文纪录片平行叙事的发展趋势.·.164.1平行叙事中的“短平快”.164.2平行叙事中无技巧转场的应用..16结19.............21致22本科论文摘要真实是纪录片创作的基础，而具有叙事艺术则是构成纪录片风格和艺术的表现方法。在不同题材不同风格的纪录片下需要的叙事艺术也是大相径庭。叙事艺术的运用不仅能够更好的表达纪录片的主题还能更加贴合的将纪录片的中心思想带给观众。随着经济的高速发展人们对艺术要求逐步加深，对于纪录片的要求不仅仅只是限制于浓厚政治因素上，而后产生了人文题材纪录片。人文纪录片主要是展现社会变迁、以及历史进程的一种纪录片题材。通过剪辑艺术将影片重新剪辑可以产生新的意义这是以爱森斯坦为首的剪辑学派提出的观点。当人文纪录片具有了叙事艺术的特征之后能够更好的通过镜头传达出创作者想展现的人文情怀，而其中平行叙事结构就是最常用到的一种叙事艺术。本文从人文纪录片的叙事结构分析入手，以平行叙事结构作为研究重点。通过分析人文纪录片《舌尖上的中国》，对其中运用到的平行叙事结构进行全方位的剖析和解读。探究当人文纪录片具有了叙事艺术后的效果分析。文章第一部分从人文纪录片的发展过程，叙事艺术的表现方式入手，探究叙事艺术在纪录片中的体现。第二部阐述平行叙事的组织框架，通过连接式平行结构思维，并列式平行结构思维和剖面式平行结构思维来论述叙事结构中的平行叙事艺术。第三部分主要以围绕平行叙事剪辑手法中平行剪辑与时空的统一性，来浅析后期剪辑艺术。第四部分从人文纪录片《舌尖上的中国》入手着重分析纪录片中所运用到的转场方式，以及平行叙事艺术的“短平快”来展现人文纪录片平行叙事的发展趋势。关键词：平行叙事：剪辑艺术；人文纪录片；剖面式：并列式本科论文AbstractReality is the basis of documentary creation,and narrative art is theexpression method of documentary style and art.There are different narrativearts in different themes and styles of documentaries.The use of narrative art cannot only better express the theme of the documentary,but also bring the centralidea of the documentary to the audience.With the rapid development ofeconomy,people's requirements for art are gradually deepened,and therequirements for documentary are not only limited to strong political factors,and then produced the documentary of humanities.The humanities documentaryis a kind of documentary theme which shows the social changes and thehistorical process.The new meaning can be produced by re editing the filmthrough editing art,which is put forward by the editing school led by Eisenstein.When the humanistic documentary has the characteristics of narrative art,it canbetter convey the humanistic feelings that the creators want to show through thelens,and the parallel narrative structure is the most commonly used narrativeart.This paper starts with the analysis of narrative structure of humanitiesdocumentary,and takes parallel narrative structure as the research focus.Through the analysis of the humanities documentary "China on the tip of thetongue",this paper analyzes and interprets the parallel narrative structure in anall-round way.To explore the effect analysis when the humanities documentaryhas narrative art.The first part of the article starts with the development of thehumanities documentary and the expression of the narrative art to explore theembodiment of the narrative art in the documentary.The second part expoundsthe organizational framework of parallel narrative,and discusses the art ofparallel narrative in narrative structure by connecting parallel structure thinking,parallel structure thinking and section parallel structure thinking.The third partmainly focuses on the unity of parallel editing and time and space in parallelnarrative editing techniques to analyze the later editing art.In the fourth part,starting from the humanities documentary "China on the tip of the tongue",theauthor focuses on analyzing the transition methods used in the documentary,andthe "short and smooth"parallel narrative art to show the development trend ofthe humanities documentary parallel narrative.