本科论文目录摘要Abstract…引1研究中国画摄影蒙太奇理论的目的与意义21.1研究中国画摄影蒙太奇理论目的.…21.2研究中国画摄影蒙太奇理论的意义32摄影蒙太奇的形成与发展52.1摄影与绘画…22达达主义与摄影蒙太奇72.3超现实主义与摄影蒙太奇.…3中西方摄影蒙太奇的异同…133.1约翰哈特菲尔德与摄影蒙太奇…3.2郎静山与中国画意摄影153.3达达主义、超现实主义与中国画摄影蒙太奇的异同.164中国画摄影蒙太奇的表现形式及手法…204.1中国画摄影蒙太奇的表现形式204.2实现中国画摄影蒙太奇的技术手法21结25参考文献26致28本科论文摘要本文主要从艺术美学和视觉心理学差异角度进行探究，中国画摄影蒙太奇的起源进行追溯，以及就达达主义与超现实主义摄影蒙太奇理念，对中国画摄影蒙太奇理念的发展及影响进行探讨。通过研究中国画摄影蒙太奇从中了解摄影蒙太奇技法在国内的发展和演变过程，了解摄影带给人们的生活的变化。摄影最开始出现在国内，都是以外国人拍摄的中国这一角度和形式出现的。起初国内摄影形式都是模仿西方摄影形式进行创作的，中国画摄影蒙太奇这种摄影创作形式的出现，可以说是开辟了中国摄影的新道路。也正是这种中国式的新摄影技法把中国摄影美学推向了世界舞台。向世界展示了中国美学及中国摄影艺术。所以我以中国画摄影蒙太奇理念的形成作为讨论点，重点研究的是中国画摄影蒙太奇与西方摄影蒙太奇的异同之处。全面准确的分析其中有关论述蒙太奇理念在中国画摄影中的应用。从中国画摄影蒙太奇理论的产生根据和发展上来论述，中西方摄影蒙太奇的差异。随着国内摄影师对摄影蒙太奇技法的了解，西方摄影蒙太奇与中国传统绘画手法碰撞融合。结合西方摄影蒙太奇与中国传统绘画技法，形成了带有中国本民族特色的美学形式，而中国美学在西方摄影蒙太奇与中国文化的融合上又起到了深远的影响。并结合中西方摄影师的作品来论述中国画摄影蒙太奇形成，存在形式及手法创新。把蒙太奇理论在典型的摄影案例中进行梳理和进一步完善。关键词：中国画摄影：蒙太奇：超现实：意识形态本科论文AbstractThis paper mainly explores the difference between artistic aesthetics andvisual psychology,and explores the origin of Chinese painting photographymontage,as well as the development and influence of the concept of Dedaismand surrealist photography montage on the concept of Chinese paintingphotography montage.Through the study of Chinese painting photographymontage to understand the development and evolution of photographic montagetechniques in China,so as to understand the changes that photography brings topeople's lives.Photography began to appear in the domestic,are taken by foreigners inChina this angle and form appeared.At first,the domestic photography form isimitated western photography form for creation,Chinese painting photographymontage this form of photographic creation,can be said to open up a new wayof Chinese photography.It is this new Chinese-style photography technique thatbrings Chinese photographic aesthetics to the world stage.Show the worldChinese aesthetics and Chinese photography art.So I take the formation of theconcept of Chinese painting photography montage as a discussion point,focusing on the similarities and differences between Chinese paintingphotography montage and Western photography montage.A comprehensive andaccurate analysis of the application of the concept of montage in Chinesepainting photography.From the basis and development of the theory of Chinesepainting photography montage,the difference sages of Chinese and Westernphotographic montages.With the domestic photographer's understanding of the technique ofphotography montage,the Western photographic montage collided with thetraditional Chinese painting technique.Combined with western photographicmontage and traditional Chinese painting techniques,the aesthetic form withChinese national characteristics was formed,and Chinese aesthetics played aprofound role in the fusion of Western photographic montage and Chineseculture.And combined with the works of Chinese and Western photographers todiscuss the formation of Chinese painting photography montage,the existenceof form and method innovation.The montage theory is combed and further